domenica 19 settembre 2010

Sabine Pigalle *Protection*








Il perdurare dei miti e la coabitazione del mondo profano nella rappresentazione del sacro
The persistence of myths and the cohabitation of the profane world in representation of the sacred

mercoledì 15 settembre 2010

Jean Charles de Castelbajac The Tyranny of beauty











The Tyranny of beauty
Jean-Charles de Castelbajac
September 11 → October 23, 2010 Slash Gallery

Following a first solo show in London, The Triumph of Sign, an installation on the Pont Neuf, Astronomy Domine, and in keeping with the same obsession, Jean-Charles de Castelbajac now brings us The Tyranny of Beauty at La B.A.N.K.

For the past 40 years, Castelbajac has been using detourn and appropriations to create bridges between practices and signs and to trigger questions.

The tyranny in question is that of an insatiable need to please, of youth’s domination, of a quest for immortality and of the denial of time past.

Castelbajac adds trait, logo, sign or brand obliteration to classic master paintings. As if creams, capsules or other artifices could open up a path to and stamp their radiant faces with indelible copyrights.

The Chinese copyists’ oil paintings are based on ancestral techniques. They reduce to the state of manufacture a selection of Western Art’s masterpieces. By reproducing works from our heritage, the artist reclaims History and images of beauty at their height of refinement. His aim is to demonstrate that everyone can do beauty and good, like in the Snow White syndrome in a series of Flanders tapestries.

http://www.jc-de-castelbajac.com/
http://www.slash.fr/en/evenements/the-tyranny-of-beauty

mercoledì 1 settembre 2010

Laurie Lipton.






Laurie Lipton was born in New York and began drawing at the age of four. She was the first person to graduate from Carnegie-Mellon University in Pennsylvania with a Fine Arts Degree in Drawing (with honours). She has lived in Holland, Belgium, Germany and France and has made her home in London since 1986. Her work has been exhibited extensively throughout Europe and the USA.










Lipton was inspired by the religious paintings of the Flemish School. She tried to teach herself how to paint in the style of the 16th century Dutch Masters and failed. When traveling around Europe as a student, she began developing her very own peculiar drawing technique building up tone with thousands of fine cross-hatching lines like an egg tempera painting. “It’s an insane way to draw”, she says, “but the resulting detail and luminosity is worth the amount of effort. My drawings take longer to create than a painting of equal size and detail.”

http://www.laurielipton.com/

mercoledì 18 agosto 2010

Sara Blake (aka ZSO)










"Hello, I'm ZSO. (On paper you may also know me as Sara Blake.) I'm an Interactive Art Director, Designer, and Illustrator living and loving in New York City.

ZSO is a collection of letters that I find aesthetically and phonetically beautiful. Together they make sound much like “so,” the adverb which means "to such a great extent.” I am a person of extremes, for better or worse (most often the latter), so the ring of it was fitting, and the moniker has since stuck for good.

I graduated from New York University's Gallatin School of Individualized Study with a concentration in Graphic Art and Postmodern Studies—I've been working in design and art direction ever since.

http://www.hellozso.com/

giovedì 12 agosto 2010

Tokyo Love Hotel photography by Nathalie Daoust













Tokio Hotel Story

Nathalie Daoust’s latest project, Tokyo Hotel Story, continues her exploration of female sexuality and subversion of gender stereotypes. Spending several months in the Alpha In, one of the biggest S&M “love hotels” in Japan. Daoust photographed 39 women in their private rooms, surrounded by the specialist equipment and dressed in the regalia that define their trade. Her work takes the viewer beyond taboos while showing the universal human desire to escape reality and create fantasy worlds that often oscillate between dream, reality and perversion.